Friday Feature: Hurt as covered by Emily Seal

This Friday Feature goes out to a cover of a cover.


Emily Seal covering Hurt, as covered by Johnny Cash!

I didn't really have any expectations when looking for a cover of this one; I knew that there would be a lot to choose from, though. Being associated with both Nine Inch Nails and Johnny Cash encompasses a wide group of people. I listened to a bunch and I wasn't blown away at any point, until I clicked on this link.


Meet Emily Seal!


I had already decided on a different cover, but clicked on this last one just as a whim, and I am SO glad I did. I am absolutely in love with this girl's voice. Holy cow. If you haven't heard of Ron Pope, listen to something by him; he's a favorite of mine and she sounds like the female version of him in the best way. In this cover, Emily didn't miss a single note, and she has the most impressive amount of vocal control. She might have the coolest voice I've ever heard from a Youtube video. I can't stress to you enough how talented she is. If you only listen to one thing today, make it this cover.


More about Emily Seal: I'm not sure why this video doesn't have ten thousand views. It's better than any other cover I looked at. But I dug a little deeper and discovered that Ms. Seal is doing very, very well. She's a Canadian recording artist with a slew of nominations and awards already received, along with a lengthy list of accolades and accomplishments. She has a CD out, titled If You Keep This Up (which I will be buying once I finish writing this post), a killer website, and a Facebook page you can check out if you like what you've heard above, and how could you not?!


Not that Emily Seal needs my accolades here, as she has already earned herself plenty, but I can't help but give them anyways. She's living my dream at the moment, and she's absolutely earned the right to be there!

Johnny Cash: Hurt

Number 16!

Johnny Cash - Hurt.

Current Knowledge: I know a few Johnny Cash songs; my grandpa is quite the fan (and, in fact, the only person in my extended family who plays guitar). Ring of Fire is probably his favorite, and I know that one like the back of my hand. However, I was at a party over the weekend, and on the TV/radio station that was playing, the Nine Inch Nails song Hurt came on. I genuinely didn't believe the person who told me that Johnny Cash had covered this, or how it possibly could have sounded. So, here I am, about to find out.


First Thoughts: Maybe it's my headphone upgrade, but the guitar in this sounds really awesome. It's really clear and bright and right on the top of the mix....yeah, this is probably thanks to the headphones, actually. In regards to the song itself: it's actually a really weird version of this, honestly. This song seems to be written with a really strong vocal melody, and Johnny Cash was by no means young when he recorded this; his voice is distinct but not particularly striking in this. I think it's actually the lack of emotion in his voice that is the issue for me. The lyrics say that the speaker is more or less dying, and Cash's vocal seems a bit apathetic. Though I think I can see why he chose to cover it, there's a good story and a nice acoustic guitar part, which are Johnny Cash staples.


Verdict: I'm not really sure what to make of this. It's a really weird convergence between two distinctly different types of music. I wouldn't say I'd put this on again, but I can certainly commend Johnny Cash for picking a song that is so far outside of his usual genre and making it his own. That's something I try to do a lot of the time, so I can definitely relate, at least.

Friday Feature: Casey Jones as covered by Michael Richardson

This week's Friday Feature goes to a cover of Casey Jones!

When I looked at Casey Jones initially, the only thing I could think about in terms of covering was that it would make a great acoustic song for a male singer with a country vibe. So, this week I set out to find someone who not only fit that mold, but did it justice.

Meet Michael Richardson. :)

There aren't a ton of covers of this song on YouTube, believe it or not. And of the handful of covers that do exist, most of them leave a lot to be desired. This one is an exception! Michael has covered this really really well. His voice is great, very well suited to the song. And he plays a Takamine (which I may be biased towards because I learned to play on one) that has a really nice sound, even though it's being played without any amplification, as far as I can tell. Not to mention he's a great guitarist to begin with! He has all the components necessary to do this song well, and it shows. I'm super thrilled to have stumbled upon this one.

More about Michael Richardson: All I could really find on this talented guy was his YouTube channel. But there's a lot on there to look at! He's got a bunch of instructional videos that have accrued thousands of views, and a really successful cover of Lime in the Coconut that I really liked. You can check out his channel here.

Thank you, Michael Richardson, for sharing this with the world!

Friday Feature: The Chain as covered by Rachel Ann Cauilan

This week's Friday Feature goes to Rachel Ann Cauilan,with her guitar cover of The Chain, by Fleetwood Mac!

The first Friday Feature ever was an a cappella group, so this week I decided I'd go in the opposite direction and do an instrumental. This is a tough song to play!

Meet the lady who has done it justice, Rachel Ann Cauilan. :)

I listened to the song an extra handful of times before browsing Youtube, and there's a lot of intricate stuff going on in the guitar parts for sure. I wasn't totally sure I was going to find a decent cover anywhere. But it didn't take me too long to come across this really awesome rendition. Not only did Rachel play the entire song pretty much perfectly, her guitar tone is absolutely stellar, which isn't something you find a ton of on the internet, unfortunately. And she says she only learned it the night before recording it! I've been playing guitar for seven years and never would I be confident enough to post something I had only learned that recently, which makes this all the more impressive. Rachel, you are a hell of a player. 

If you're interested in hearing more from Rachel, you can check out her Youtube channel here, which includes covers Blackbird and California Dreamin', both favorites of mine. You can also visit  her wordpress blog, tumblr, and twitter pages.

Thanks for sharing your guitar skills with the world, Rachel!

Happy Halloween! A Special Friday Feature: Don't Fear the Reaper as Covered by Joshua Path

I love Halloween, I won't lie. So I decided it was only fitting to do a Friday Feature based on an appropriate tune, despite not ever mentioning it on the blog (I already love this song),

Don't Fear the Reaper, as covered by Joshua Path!

I love this tune. I always have. And I was totally shocked to turn to the internet and be disappointed over and over with the covers people have uploaded. Nobody could sing it, nobody could play it. I was about to change songs when I stumbled upon this gem.

Meet Joshua Path. 

I don't have enough nice things to say about the way this has been executed. Where the original song is edgy and uptempo, this cover is haunting and light. It's sung flawlessly, and has an incredibly high level of production, which is nothing but beneficial here. Taking out the percussion and slowing it down really smooths out the sound in a way that gives it a ton of dimension and room to appreciate the lyrics. And the harmonies are phenomenal, really, especially the ones written in for the "I'm your man" line. I think that's what made it for me. It's an incredible rendition. Words really don't do it justice; please please please take the time to listen to this. I promise you won't be disappointed. 

More on Joshua Path: He's a guitarist/vocalist based out of LA. His sound has been described as “Early Beatles, couched in a sound similar to the Goo Goo Dolls, along with intelligent and creative storytelling not unlike Bob Dylan” by Music Connection Magazine, which I can agree with and then some. He has an impressive bio full of accolades and a sixth CD out, titled, Between Heaven and Jonestown. If you'd like to hear more from him (I certainly do), his website is here: http://www.joshuapath.com/. Thank you, Mr. Path, for doing justice to a phenomenal song that I was certain no one could do. 

Have a great Halloween! 

Fleetwood Mac: The Chain

Number 12!

The Chain, by Fleetwood Mac

Current Knowledge: I think I have heard Fleetwood Mac before. On my Pandora station. But I'm not totally sure, and this song title doesn't sound familiar. Then the other day, a friend of mine was talking about her newfound Fleetwood Mac obsession, so I decided to put it on the list.

First Thoughts: This is cool. It's haunting and twangy in a really cool way. It actually reminds me a little of Helplessly Hoping, which I adore. Maybe I just have a thing for harmonies, because that seems to be a trend with the songs I'm favoring. It starts off pretty withdrawn but it builds up really nicely into a pretty powerful rock ballad. And the bass solo in the middle is a nice divide and break into the instrumental. This honestly sounds like a song I would play with the windows down driving really fast if I wanted to feel like a badass.

Verdict: I really like this. It's carefully straddling the line between twangy country and rock, but it isn't county rock, ya know? I don't know how else to describe it. It's got all the grit you could want and it builds really nicely, but I would love to see it done with just acoustic guitar and vocals, too. I think that would be interesting. Overall, though, this is a cool tune.

Friday Feature: Helplessly Hoping as covered by Chebacco

This Friday Feature goes to Chebacco, with their cover of Helplessly Hoping!

It's no secret that I absolutely love this song, which means finding a cover that would do it justice would prove very difficult. There are tons of people who can do the harmony exactly as its written, so that's not what I was looking for. I wanted to see someone capture the feeling of the song really well.

Meet Chebacco :)

If I were to see this song performed live by the original artist, this is how I'd want to see it; sitting around a kitchen table, void of any extra effects or staging of any kind. It's simple, it's soulful, and these guys have done it right, in my opinion. Not to mention their harmonies blend beautifully. All three of these individuals can sing, clearly, the guitar playing is spot on, and they all look like they mean what they're singing. The simplicity of it is what really got me; there's nothing to it, which is exactly why it works so well. Thank you for perfectly capturing how I envisioned this song performed!

Very regrettably, I could find almost no other information on this trio of talented musicians, other than that their names are Andrew James, Alex Gallant, and Derek Rice. If I hear from them, I will certainly let you know where you can find out more. I myself am very curious and hope there is much more than this, because it's wonderful.

Crosby, Stills, and Nash: Helplessly Hoping

Number 6!

Helplessly Hoping, by Crosby, Stills, and Nash.

Current Knowledge: I know my dad likes this group. He never really played any of their stuff for me, and it always seemed a little bit out of my wheelhouse to investigate on my own. This particular song, however, came on my Pandora station the other day, and I purposely skipped it so I could sit down and write about it the first time I hear it. Pandora is usually pretty good about catering to my tastes, so I have high hopes for this song!

First Thoughts: Three notes in and I'm sold. I love this. These might be the best lyrics I've ever heard, in all honesty. And the harmony is absolutely perfect. I can't explain it to you without telling you to listen to it. The only other thing in the song is acoustic guitar, and it's very understated, but the finger picking gives it a nice rhythm to fill in for the lack of percussion and/or bass or anything else. But seriously, the lyrics. They're incredible. It's one of those songs where you know it's telling you a story but it could mean like a dozen different things, very Hotel California-esque. I love it. I don't have enough good things to say right now.

Verdict: I think I've already said everything I needed to. This song is flawless, and Pandora was right on the money.