Showing posts with label cover. Show all posts
Showing posts with label cover. Show all posts

Friday, November 21, 2014

Friday Feature: Hurt as covered by Emily Seal

This Friday Feature goes out to a cover of a cover.


Emily Seal covering Hurt, as covered by Johnny Cash!



I didn't really have any expectations when looking for a cover of this one; I knew that there would be a lot to choose from, though. Being associated with both Nine Inch Nails and Johnny Cash encompasses a wide group of people. I listened to a bunch and I wasn't blown away at any point, until I clicked on this link.


Meet Emily Seal!


I had already decided on a different cover, but clicked on this last one just as a whim, and I am SO glad I did. I am absolutely in love with this girl's voice. Holy cow. If you haven't heard of Ron Pope, listen to something by him; he's a favorite of mine and she sounds like the female version of him in the best way. In this cover, Emily didn't miss a single note, and she has the most impressive amount of vocal control. She might have the coolest voice I've ever heard from a Youtube video. I can't stress to you enough how talented she is. If you only listen to one thing today, make it this cover.


More about Emily Seal: I'm not sure why this video doesn't have ten thousand views. It's better than any other cover I looked at. But I dug a little deeper and discovered that Ms. Seal is doing very, very well. She's a Canadian recording artist with a slew of nominations and awards already received, along with a lengthy list of accolades and accomplishments. She has a CD out, titled If You Keep This Up (which I will be buying once I finish writing this post), a killer website, and a Facebook page you can check out if you like what you've heard above, and how could you not?!


Not that Emily Seal needs my accolades here, as she has already earned herself plenty, but I can't help but give them anyways. She's living my dream at the moment, and she's absolutely earned the right to be there!

Wednesday, November 19, 2014

Johnny Cash: Hurt

Number 16!

Johnny Cash - Hurt.



Current Knowledge: I know a few Johnny Cash songs; my grandpa is quite the fan (and, in fact, the only person in my extended family who plays guitar). Ring of Fire is probably his favorite, and I know that one like the back of my hand. However, I was at a party over the weekend, and on the TV/radio station that was playing, the Nine Inch Nails song Hurt came on. I genuinely didn't believe the person who told me that Johnny Cash had covered this, or how it possibly could have sounded. So, here I am, about to find out.


First Thoughts: Maybe it's my headphone upgrade, but the guitar in this sounds really awesome. It's really clear and bright and right on the top of the mix....yeah, this is probably thanks to the headphones, actually. In regards to the song itself: it's actually a really weird version of this, honestly. This song seems to be written with a really strong vocal melody, and Johnny Cash was by no means young when he recorded this; his voice is distinct but not particularly striking in this. I think it's actually the lack of emotion in his voice that is the issue for me. The lyrics say that the speaker is more or less dying, and Cash's vocal seems a bit apathetic. Though I think I can see why he chose to cover it, there's a good story and a nice acoustic guitar part, which are Johnny Cash staples.


Verdict: I'm not really sure what to make of this. It's a really weird convergence between two distinctly different types of music. I wouldn't say I'd put this on again, but I can certainly commend Johnny Cash for picking a song that is so far outside of his usual genre and making it his own. That's something I try to do a lot of the time, so I can definitely relate, at least.

Friday, November 14, 2014

Friday Feature: Casey Jones as covered by Michael Richardson

This week's Friday Feature goes to a cover of Casey Jones!


When I looked at Casey Jones initially, the only thing I could think about in terms of covering was that it would make a great acoustic song for a male singer with a country vibe. So, this week I set out to find someone who not only fit that mold, but did it justice.

Meet Michael Richardson. :)

There aren't a ton of covers of this song on YouTube, believe it or not. And of the handful of covers that do exist, most of them leave a lot to be desired. This one is an exception! Michael has covered this really really well. His voice is great, very well suited to the song. And he plays a Takamine (which I may be biased towards because I learned to play on one) that has a really nice sound, even though it's being played without any amplification, as far as I can tell. Not to mention he's a great guitarist to begin with! He has all the components necessary to do this song well, and it shows. I'm super thrilled to have stumbled upon this one.

More about Michael Richardson: All I could really find on this talented guy was his YouTube channel. But there's a lot on there to look at! He's got a bunch of instructional videos that have accrued thousands of views, and a really successful cover of Lime in the Coconut that I really liked. You can check out his channel here.

Thank you, Michael Richardson, for sharing this with the world!

Thursday, November 13, 2014

A Reverse Lookup - Rod Stewart: Stay With Me

Number 15:

So, this is a little backwards. A friend of mine and an incredible musician used to cover this one song every time I saw him play, and I loved it. But I never got around to asking him what it was, and he's moved away recently. It's long past time for me to look up what the heck this song is. The internet is so cool.


After a tedious Google search, and about an hour of trying to remember any of the lyrics in the right order, I found it! It's Stay With Me, by Rod Stewart.




First Thoughts: I mean, I've known this song for years without knowing ever hearing the original, so that in itself is satisfying. It's sung so high! My friend always sang it an octave down, apparently. And he always did it just with an acoustic guitar, so to hear it with a full band, and all the harmony and everything is so awesome. And the slide guitar! That's awesome too. I've always wanted to learn to play like that. And this breakdown at the end with the guitar and bass solos is just so good.


Verdict: The original is great. I finally know who sings this awesome piece of music. I have about seven hundred memories associated with this song, so I'm excited to have a name for it. Maybe I'm a little biased, but I love it!

Wednesday, November 12, 2014

Jimi Hendrix: All Along the Watchtower

Number 14!


A revisit to All Along The Watchtower- this time, the Jimi Hendrix version.



Current Knowledge: It was suggested that I revisit this one and take a look at the Hendrix version. It's supposedly superior to Dylan's, which wouldn't surprise me, because Jimi Hendrix is kind of the man. I like the song and I know it quite well at this point, so I'm pretty excited to hear this from a totally different artist.


First Thoughts: Oh, there's no contest here. This is WAY better. I can't emphasize that enough though text on the internet. This is the version I've heard covered in bars so many times, but like a thousand times better, cause, ya know, it's Jimi Hendrix. And not that it even needs to be said, because it's totally a given, but the guitar solo is just so damn good. It's like the kind of good that makes you want to stop playing guitar because that kind of skill is practically unachievable.


Verdict: I am so glad I listened to this. I liked the song before, but after hearing this version, I love it. This is one of the best songs that I've written about in quite some time on here. And I'd write more, but I have to go put this on in my car, crank the volume, and drive down the highway at 80 miles an hour.

Friday, November 7, 2014

Friday Feature: The Chain as covered by Rachel Ann Cauilan

This week's Friday Feature goes to Rachel Ann Cauilan,with her guitar cover of The Chain, by Fleetwood Mac!


The first Friday Feature ever was an a cappella group, so this week I decided I'd go in the opposite direction and do an instrumental. This is a tough song to play!

Meet the lady who has done it justice, Rachel Ann Cauilan. :)

I listened to the song an extra handful of times before browsing Youtube, and there's a lot of intricate stuff going on in the guitar parts for sure. I wasn't totally sure I was going to find a decent cover anywhere. But it didn't take me too long to come across this really awesome rendition. Not only did Rachel play the entire song pretty much perfectly, her guitar tone is absolutely stellar, which isn't something you find a ton of on the internet, unfortunately. And she says she only learned it the night before recording it! I've been playing guitar for seven years and never would I be confident enough to post something I had only learned that recently, which makes this all the more impressive. Rachel, you are a hell of a player. 

If you're interested in hearing more from Rachel, you can check out her Youtube channel here, which includes covers Blackbird and California Dreamin', both favorites of mine. You can also visit  her wordpress blog, tumblr, and twitter pages.


Thanks for sharing your guitar skills with the world, Rachel!


Friday, October 31, 2014

Happy Halloween! A Special Friday Feature: Don't Fear the Reaper as Covered by Joshua Path

I love Halloween, I won't lie. So I decided it was only fitting to do a Friday Feature based on an appropriate tune, despite not ever mentioning it on the blog (I already love this song),

Don't Fear the Reaper, as covered by Joshua Path!


I love this tune. I always have. And I was totally shocked to turn to the internet and be disappointed over and over with the covers people have uploaded. Nobody could sing it, nobody could play it. I was about to change songs when I stumbled upon this gem.

Meet Joshua Path. 

I don't have enough nice things to say about the way this has been executed. Where the original song is edgy and uptempo, this cover is haunting and light. It's sung flawlessly, and has an incredibly high level of production, which is nothing but beneficial here. Taking out the percussion and slowing it down really smooths out the sound in a way that gives it a ton of dimension and room to appreciate the lyrics. And the harmonies are phenomenal, really, especially the ones written in for the "I'm your man" line. I think that's what made it for me. It's an incredible rendition. Words really don't do it justice; please please please take the time to listen to this. I promise you won't be disappointed. 

More on Joshua Path: He's a guitarist/vocalist based out of LA. His sound has been described as “Early Beatles, couched in a sound similar to the Goo Goo Dolls, along with intelligent and creative storytelling not unlike Bob Dylan” by Music Connection Magazine, which I can agree with and then some. He has an impressive bio full of accolades and a sixth CD out, titled, Between Heaven and Jonestown. If you'd like to hear more from him (I certainly do), his website is here: http://www.joshuapath.com/. Thank you, Mr. Path, for doing justice to a phenomenal song that I was certain no one could do. 

Have a great Halloween! 

Friday, October 24, 2014

Friday Feature: Helplessly Hoping as covered by Chebacco

This Friday Feature goes to Chebacco, with their cover of Helplessly Hoping!



It's no secret that I absolutely love this song, which means finding a cover that would do it justice would prove very difficult. There are tons of people who can do the harmony exactly as its written, so that's not what I was looking for. I wanted to see someone capture the feeling of the song really well.

Meet Chebacco :)

If I were to see this song performed live by the original artist, this is how I'd want to see it; sitting around a kitchen table, void of any extra effects or staging of any kind. It's simple, it's soulful, and these guys have done it right, in my opinion. Not to mention their harmonies blend beautifully. All three of these individuals can sing, clearly, the guitar playing is spot on, and they all look like they mean what they're singing. The simplicity of it is what really got me; there's nothing to it, which is exactly why it works so well. Thank you for perfectly capturing how I envisioned this song performed!

Very regrettably, I could find almost no other information on this trio of talented musicians, other than that their names are Andrew James, Alex Gallant, and Derek Rice. If I hear from them, I will certainly let you know where you can find out more. I myself am very curious and hope there is much more than this, because it's wonderful.

Friday, October 17, 2014

Friday Feature: Addicted to Love, as covered by the DOT's

Here it is! The first Friday Feature, with the DOT's covering Addicted to Love:


I spent quite a bit of time perusing the internet for a solid cover of this song. I had been coming up short for a while. Florence and the Machine kept appearing in my searches, which I thought was a mistake at first. But apparently she covered this song a while back, which has seriously bolstered it's popularity on the internet. Her version is actually amazing and I like it way better than the original. But I decided that to post a cover of a famous artist covering a famous song would defeat the purpose of this feature, so I decided to find someone covering this cover. (Cover doesn't even sound like a word anymore, I've said it so much. Ugh.)

So here I am, browsing through all these covers of covers, when I stumble upon one by an a cappella group. I had seen plenty of guys on a white-walled backdrop trying to pluck this out on an acoustic guitar that I was totally starved for something different, so I eagerly clicked on the link.

And then I was thoroughly impressed.

I was in an a cappella group my first year of college, so not only does this speak to me on a nostalgic level, but I also know how difficult it is to pull something like this off. But the DOT's do it flawlessly! Their lead singer for this arrangement absolutely nails it (especially with the solo in the beginning, I got chills), and the harmonies are so on-point it's ridiculous. I think what really impresses me though is how far this song has come from the original 80's tune. I never would have thought to arrange this as an a cappella song after hearing it the first time, but I'm really glad these girls did, because it's a really, really cool version. Hats off to you.

A bit more about the DOT's: they're an all female a cappella group based out of UCSD encouraging women's empowerment through music, which are all things I can totally get behind. They have some rave reviews on their website, and their repertoire has everything from Eminem to Aretha Franklin. And the name, DOT? It stands for Daughters of Triton, which sounds like the coolest name for an a cappella group ever. If you're reading this from the west coast, I recommend you go listen to them if you get the chance. If I wasn't 2,000 miles away, I certainly would. You can check out the DOT's further at their website if you want to know more.

Edit: These lovely ladies shared this post on their Facebook page! Check it out here.